Absolute cultural code and fractal theory of thinking. Drusinsky D.L.

In the work, an attempt is made to find the universal beginning of all the principles, which is within the basis of not only world culture, but also human mind. For this, the author rationalizes the perception of the Absolute, turning its properties into a brief formula, from which the principles, mechanisms and laws are extracted that form mentality, styles of thinking, cultural generations and, as a result, the historical stages of the formation of world culture. The mechanism of unfolding "all" from the void is monitored. A logical and consistent absolute emptiness is associated with the “theory of everything”, the basis of which are the laws of harmony, whose trajectory of “expiration” determines the nature of the movement of not only human thoughts, but also the dynamics of the development of culture itself. Parallels are drawn between the fractals of nature and the codes of culture, which are subordinate to a single universal process. An attempt to resolve the eternal issue of human self -knowledge, within the framework of this work, leads to a reasonable version of the ultimate goal of world culture and the natural world, as fractal forms of self -likeness of absolute emptiness, permeating the world with its emanations. These outpourings turn into the horizontal-inventical rows of causal connections, from which the holographic image of the world or a “matrix” vision of reality in the form of self-organization of fractals of being, thinking and culture is born. The fractal theory, as the author believes, is endowed with a powerful prognetic potential, which makes the work relevant to read a wide range of readers who are interested in philosophical issues of the origin of culture, human mind and the problems of optimizing relations between art, science, philosophy and religion.