Frankenstein in Baghdad

Baghdad broken by the war. An old hadi gathering the remains who died in the terrorist attacks of the city’s inhabitants to make a fantastic creature from their organs, which, revitalized, begins to avenge the offenders of the victims. The satirical rethinking of the classic Frankenstein Mary Shelley, Roman Saadawi is a tragicomic portrait of those who live in constant fear almost without hope for the future. Gothic history, a thriller, political statement, “Frankenstein in Baghdad” is more than a black comedy. The jacket of Hadi from Al-Batavin, the central quarter of Baghdad, selects the remains of the city’s inhabitants who died in terrorist attacks and collects a fantastic creature from their organs, which, revitalized, begins to avenge the offenders of the victims. The junk man entertains the coffee shop regulars with its history, who do not believe a single word of the Hadi-Wede. Nobody believes in his tales except the brave colonel Surur Majid, the head of the information and analytical department, who is instructed to catch the mysterious killer. In pursuit of the monster, the fate of the heroes intertwine in a ball, their lives change once and for all, the end will be unexpected.