How to curb the elite? All the secrets of the Stalinist backstage. Razzakov F.I.

Domestic cinema has their own backstage, for which official film experts try not to look so as not to destroy the myth that has been packed with them in the philistine consciousness for decades. Meanwhile, without studying this backstage, it is difficult to understand many events that influenced (and continue to influence) the formation of not only domestic cinema, but also our ideology in general. One of the most important topics in this backstage history is the confrontation of two ideological movements: Russian (Slavic) and Jewish (Jewish). It began in fact from the moment of the emergence of Soviet cinema and continues to this day, as evidenced by the events of our newest, post -Soviet history. Only the personalities of this confrontation have changed.

as it was under Stalin, who conducted the fate of the screen of the 30-50s, on which of the masters of the cinema the owner of the state relied, what behind-the-scenes processes took place in the cinema of those years? Which of the actors, directors loved and did not like Stalin and who loved and did not love him?

Read about this in the book of the author of numerous bestsellers of today Fedor Razzakov.