Metamodern in music and around it. 2nd edition. Khrushcheva N.A.

In the book, the Academic music of the last decades is considered through the prism of metamodern concept: the return of affect in music turns into the return of tonality and melody, post -stance - into a radical simplification of language and playing with the banal, and the oscillation into the sparkling crystal of new melancholy and new euphoria. Based on the manifesto of metamodernism and a number of texts that have become classic for metamodern, the author builds his own system of concepts, embedding the music of Valentin Silvestrova and the meme “D. Good ”, Russian philosophy and publics VKontakte, the concept of the“ end of the time of composers ”by Martynov and the texts of the Glory of the CPSU.