Metamodern in music and around it. Khrushcheva N.

The author considers academic music in the light of the concept of metamoderm, showing how the return of affect turns into the arrival of new tonality and melody, post -stance - into a radical simplification of the language and playing with the banal, and the oscillation - into the sparkling crystal of new melancholy and new euphoria.

based on the manifesto of Metrenism, the author constructs his own system of concepts, embedding the music of Valentin Silvestrova and the meme “D. Good ”, Russian philosophy and publics VKontakte, the concept of the“ end of the time of composers ”by Vladimir Martynov and the statements of glory of the CPSU.