Phenomenology and aesthetics. Ch. 2. Bekker O., Gaiger M., Dufren M., Rishir M.

This series presents translations of important phenomenological texts written in both the classics of phenomenology (E. Husserl), and its leading representatives (O. Becker, M. Gaiger, M. Dufren, P. Riker, H. -Gadamer , M. Rishir, A. Schneell), as well as comments on them. The translations of the works presented here first saw the light on the pages of the magazine Horizon. Phenomenological research. " In this edition, they are published in a modified and expanded version. The second part contains texts devoted to general aesthetic issues in the future of their phenomenological consideration. First of all, this is a question about the status and determination of aesthetic pleasure, the phenomenological nature of the aesthetic perception as a whole. Phenomenological aesthetics is such an important direction of aesthetic thought precisely because the appeal to phenomenological consideration allows us to identify the special status and nature of intentionality, corresponding to aesthetic perception and artistic creativity.