Poetics of joy in the Comedy Dante. Original text and canonical translation. Landa K.

“Divine comedy” by Dante is often perceived by readers and researchers as a gloomy Gothic text, in which there is almost no place for joy and light, and Dante himself is a deeply tragic character. A real monograph sets itself the goal of dispelled these ideas, showing how important the “Joy” concept occupies how important the place in the Dante narrative is. Having analyzed the use of vocabulary with the semantics of joy in all three parts of the Comedy in the light of ancient, biblical, theological and modern Aligieri literary sources, the author of the study comes to the conclusion that the motive of joy permeates the poem at all levels of the text, from phonetic to rhetorical to rhetorical , and is enriched with new meanings compared to the previous tradition. The study of the poetics of joy allows us to consider other structures of the Dante poetic language, as well as the possibility of its translation into Russian. The study first introduces into the domestic scientific usus the work of modern Western Dantologists with a worldwide name and is based on comments on the “comedy” from the XIV century. Until the very last years. In the second part of the book, using conceptual and component analysis, the poetics of joy in the canonical translation of M. L. Lozinsky are considered. The appendix gives copyright transfers from Dante and Jacopone da Todi.