Praises Gabriele d’annunzio and Italian sonnets of the XVI - XIX centuries. Samarin O.D.

All transfers is equitimic, that is, while preserving the original poetic size, as well as, with rare exceptions, the initial number of syllables in the lines and rhyme schemes, unless, of course, it was in the original text. All of the presented works, except for the “praifirama II” Gabriele d'annunzio, include mainly eleven -word lines (a five -stage iambic with the last unstressed syllable), in the “praise IV” there are also seven -word, ten -word (with the last shock syllable) and the so -called hypermetric - twelve -wording with Two last unstressed syllables, and the “praise II” includes alternating eleven and seven-word. At the same time, the “praise II” was written in a completely “white verse”, in the “praise IV” the rhyme scheme is quite complicated, but also with the predominance of the “white verse”.

deviations from the scheme of constructing the original were allowed in exceptional cases- in particular, in the original poems “Pourramb II”, hypermetric lines, that is, twelve and eight-word with the last two unstressed syllables were actually used, but preserve such a construction of verses sequentially In the whole poem it was extremely difficult due to the mismatch of the phonetic systems of Russian and Italian languages, therefore, a classic size was used during translation. Another exception - in the originals of the sonnets, the second quatrains are written on the same rhymes as the first, as, generally speaking, it is required for this poetic form, but when translated, rhyming lines in these quatrains was performed independent, since in this case it is a feature of the specified feature Buildings in the Russian version turned out to be very difficult.