Scenario art. Methods and practices of modern Russian scriptwriters and playwrights. Chekmaev S., Gravitsky A.

This book is a cut of the era, and memoirs mixed with the scriptwriters production strokes, and a textbook created by ten broken and toothy practices that have stuck whole flocks of frantic dogs in their directions. At the same time, this is an uncomplicated concentrate of crystal tears of the participants of “dramatics” - sections of dramaturgy and screenwriter of the Union of Writers of the Russian Federation.

on the book, not sparing the abdomen of their and the nervous system, ten scriptwriters, writers, and dramators worked. We made out to the atomic level our own rich experience working with real projects and created this guide for beginner-continuing authors.

Want to enter the script, but do not know which one? Read this manual to find your sphere. If you want to know what the work of the screenwriter looks like in reality, and not in funny movie reviews - read this manual. If you want to laugh and be surprised - look at production stories about how they make films, make games and put plays. Would you like to pump copyright/scenario skills - gnaw the section of theory, there is a super -high of useful articles.