Sinemarxism. Tsvetkov A.V.

Cinema is the youngest and most truly unique form of art. Wounding at the end of the 19th century, he synthesized in himself entire layers of scientific, technical and artistic thought of mankind - from literature and theater to optics and chemistry, history and anthropology. The process of creating the film itself is equally multi -component: the picture that comes to the eyes of the audience is made up of the director’s intellectual work, the artistic skill of the actors, the enormous technical and creative work of the entire film crew. The success of a particular film is marked by reviews, reviews, bonuses that affirm and confirm its artistic value.

All this is a visible to the eye or accessible to the viewer, however, the movie industry has another measurement hidden from us, where aesthetics is inseparable from economics and politics. Cinema as a source of experience is one of the “ideological apparatuses”, repressive mechanisms constructing the subjectivity of the viewer, affecting the sociology of the masses that support the structure of alienations. In the society of the victorious and dominant capitalism, where perception is replaced by consumption, this aspect is almost invisible - but all the more urgent, the need for a comprehensive analysis of economic and power practices in the process of film production.