Suprematic mirror. Malevich K.S.

In the figure of Casimir Malevich, the revolutionary spirit that was imbued with European art of the beginning of the 20th century was imbued with the brightest way. Taking into account the experience of cubism and futurism, the artist took the next step, freeing the form from the non -solid content of it and announcing the primacy of color energy. So there was a new radical direction of the avant -garde - Suprematism. His picturesque manifesto was the world -famous “black square”, but for Malevich the affirmation of new aesthetic principles was a matter of not only artistic practice, but also of deep philosophical reflection, which was embodied in many articles, declarations and treatises.

The present edition is called up To introduce the reader to the legacy of Malevich - the theorist and thinker. The collection included selected works, many of which were published during the artist’s life in 1916-1928, while others were found in archives and saw the light only in the 90s of the last century. Most of the works are printed with the preservation of the author’s style, usage and spelling, allowing you to see the identity of the Malevichovsky language.

over the past decades, the works of the brilliant inventor Suprematism have proven their indisputable value for the history and philosophy of art, and the fiery energy of thought illuminating their fiery energy and their fiery energy. Today, the hum of the ideological struggle that unfolded in the artistic arena of the avant -garde is conveying to us.