The actor's work on himself in the creative process of embodiment

This book, which is the second part of the fundamental dilogy of Stanislavsky, “The actor’s work on himself,” is devoted to the actor’s work on the emotions of his character and how exactly should be achieved by their authenticity and depth. After all, the role, according to the Stanislavsky system, should not be played, but sincerely “live”, or, as he himself wrote: “Each moment of your stay on the stage should be authorized by the faith in the truth of the experienced feelings and the truth of the actions performed.”