Theater idols. Long farewell. Bilchenko E.

The author of the book, using the images of Plato and Francis Bacon, call the false idols of postponement “Theater idols”. Idols make up for the lack of courage to be. On the postmodern screen, idols play the roles of genus, caves and tongue. The genus gives birth to idols of blood and soils that compensate for the lack of courage to be part of the team. Caves give birth to sexy idols, compensating for the lack of courage to accept God.

Language gives rise to market idols of political hysteria, compensating for the lack of courage to be oneself. Traditional eras did not suggest “idols”, but only the theater itself is an exalted one, whose scumbags were blocked by the gaping of death by the radiance of the antigone, the victim’s event. Deceiving, the lyceum told the truth. In the society of hypocrites, no one hides anything, but there is nothing true. True, it is broadcast directly and from this ceases to be true. The exalted one is lost, which replaces the destructive laughter. If you inspire a person that to die is fun, he will kill with special cynicism.

The author of idols, the author contrasts the Logos-in a new meaningful tradition: not the corporate severity of the nostalgic past, but the collective meaning, voluntarily missed through the prism of the individual consciousness of the subject, open to the universe and capable of combining cosmicism and patriotism, freedom and freedom and freedom and freedom. Responsibility.