Virtual light. Idor. All parties tomorrow. Gibson U.

William Gibson became famous for the trilogy “Cyberspace” (“Neuromant”, “Count zero”, “Mona Lisa Overdrave”), which became the cornerstone of Cyberpan and determined the face of modern literature for a decade for a decree. But very quickly the genre of any genre became close to the genre revolutionary-and the “Trilogy of the bridge” (“Virtual Light”, “Idor”, “All Parts of Tomorrow”), which takes place, followed the joint with Bruce Sterling, “The Machine of Differences”. In a kind of alternative to the present, and the triller’s plot, futuristic surroundings and virtuoso stinginess of style techniques give rise to an explosive, but inevitably attractive cocktail.

Here a powerful earthquake has cut California into the northern and southern, and notorious bridge by a symbol of this separation. Here, a non-demonstration policeman Rydell and the Cyclist-Curier Shevetta-Marie are reduced by the will of chance and are trying to survive in the hunt, arranged on them by the owners of perfectly information stored in the sunglasses of the Virtual Light system. Here, Tokyo is re-built by nanotechnological skyscrapers, a night club based on Franz Kafka is successful, and a rumor swept through the fan community that a rock star named Crees was going to marry a virtual star, actress and singer Ray Toay. Here the best killer in the world does not leave traces in the World Wide Web, and the secret master of the world thinks that he is following his trail...