Bosch, Dürer, Bruegel.

The time has come, and a passionate thirst for renewal, like a hurricane, captured the south of the European continent, and then penetrated north. Innovation and daring gap with the past were born in different forms. The Italians have an exalted idealization of a man worthy of admiration and ascended to the pedestal of a heroic personality. The Germans and the Dutch are completely different. Man is the creation of God, he thinks more about the soul, he is part of the divine plan. The northern artist does not lead to the world of absolute beauty, he rather strives for credibility, for the ruthless reliability of life or the striking spectacle of mystical revelations. But those and others are united by increased interest in earthly life, in a person and his affairs.

The bright peaks of the new speculation, who made an unprecedented coup in art, were Albrecht Dürer, Jerome Bosch, Peter Bruegel. Their search for new forms, the ideal of spiritual freedom of personality, the sharp satire and the grotesque became the basis for the brilliant heyday of the art of that era and a new breakthrough in the next century.

A unique chance to plunge into this mysterious, terrible world and compare the strength and beauty of the creative gift of these three masters - the purpose of this publication.