Cinema and context. From Gorbachev to Putin. Volume 3. Comp. Arkus L.

The publication "Cinema and context" is a commented on the chronicle of the domestic film process from 1986 to 2000. The facts of the latest history of the late Soviet and Russian cinema are given here in the context of the history of art, politics, humanitarian science, mass media and descriptions of the phenomena of everyday life.

The third volume tells about the films and events of 1992-1994: Egor's economic reforms economic reforms Gaidara, Premiere of Santa Barbara and Infinity Marlene Khutsiev, Jean-Luke Hodar in Moscow, Civil War in Transnistria, the first Russian sex shop, Protvre, Ivan Dykhovichny and “Russia, which we lost” Stanislav Govorukhin, civilian The war in Tajikistan, the “anchor, still anchor” by Peter Todorovsky and the “sensitive policeman” by Kira Muratova, the Georgian-Abkhaz war, “dad, Santa Claus” Evgeny Yufit and the “stone” of Alexander Sokurov, the contract of SVV-II, “Dyuba-Dyuba "Alexandra Khan and" Belov "Viktor Kosakovsky," Marsh of empty pots "," Barabaniad "Sergey Ovcharov and the Russian Regham Sergey Ursulyak," Yes. Yes. No. Yes ”,“ Island of the Dead ”by Oleg Kovalov and“ Makarov ”Vladimir Khotinenko,“ Herbalife ”and“ 24 hours ”,“ Quiet Pages ”by Alexander Sokurov and the Twin Picks final, the shooting of the White House and the storm of Ostankino, Passionate "Kira Muratova and" Castle "by Alexei Balabanov, religious sects, detectives Alexandra Marinina and the first house of Versace Mod in Moscow, transformers and ninja turtles," tired of the sun "by Nikita Mikhalkov, Alexander Solzhenitsyn in his homeland, the collapse of" MMM "," " Russian Symphony ”Konstantin Lopushansky and“ Limit ”by Denis Evstigneev,“ soapses ”,“ Polaroids ”and pagers,“ end ”and“ life ”of Artavazza Peleshyan,“ black Tuesday ”, visit of Elizabeth II,“ palms ”of Arthur Aristahisyan, the beginning of the war in the war in Chechnya.